Art Boobs has moved, again, again!
Art Boobs has moved back to http://artboobs.tumblr.com
This blog has moved to http://artboobs.tumblr.com/.
Art Boobs is about fine art that prominently features female breasts. It prefers the Venus of Willendorf over the Venus de Milo. It celebrates the idea that throughout history societies have often tolerated artistic nudity more than actual nudity. It could have been called Artits.
Art Boobs has moved to http://artboobs.tumblr.com
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The reason for the move is the ridiculous "Content Warning" (the "I understand and I wish to continue" crap) Blogger has slapped on this blog.
Labels: news
Slap in the middle of the painting is a neat, round female breast. During press conferences, as a commentator writing for the daily La Stampa noted, the breast floats above the prime minister's head "like a halo". This, it was felt, was too much for the sensibilities of a nation that - long before Berlusconi came along - had been feasting its eyes on half-naked Magdalenes and Minervas, not to mention the blatantly erotic statuary of Antonio Canova. Tiepolo's breast, with attendant nipple, had to go.
Photos taken of the most recent press conference at Palazzo Chigi show the central figure has been retouched. An extra fold of clothing has appeared that covers the offending breast.
Labels: news
Roberto Fabelo (b. Camagüey, Cuba, 1950)
Roberto Fabelo studied painting first at the Escuela Nacional de Arte and later at the Instituto Superior de Arte in Havana. Fabelo's most recent works in drawing, watercolor, oil, and installation pieces comment on the human condition, incorporating distorted human and animal figures into portraits and fantastic scenery. He employs elements of Expressionism and Surrealism in his work, while at the same time grounding the images in an almost academic and historical setting in order to question the division between fantasy and reality. Besides painting, Fabelo teaches art in Cuba and has also worked as an illustrator for novels by the Columbian author, Gabriel García Márquez. His work has been shown in more than forty personal exhibitions and over 500 group exhibitions worldwide, including Cuba, France, Italy, Japan, Mexico, Spain, and the United States. He has received numerous awards for his work, including first prize at the Primera Bienal Iberoamericana de la Acuarela, Viña del Mar, Chile (1996) and a UNESCO prize for the promotion of fine art (1996). Fabelo lives and works in Havana, Cuba. (source)
Labels: painting
Lin Tianmiao Mother's!!! No. 12 (detail) 2008 Courtesy: The artist and Long March Space, Beijing
The white, voluptuous figures of middle-aged women, whose heads have been removed, or remain abstract and devoid of human features, have been placed in deliberately ambiguous postures. The surface of these bodies are delicately wrapped in a pearl-like material, these figures at times placed in private remonstrations suggesting the expelling of bodily waste, or seemingly pulled apart and laid bare, the innards of the body transformed into ominous balls and threads which suggest an interconnected relationship with the animal and plant world. The boundaries between people and their surroundings; male and female; internal and external; between different types of species, are blurred and broken, creating a chaotic environment which questions the nature of the world it inhabits. (source)
Labels: sculpture
Hugo Crosthwaite: Untitled, New York 2007. Source.
Labels: drawing
"Well, there they are. The breasts of the women, in the Serpentine Gallery, courtesy of the artist Richard Prince. They're airbrushed all over a real 1987 Buick Grand National, a cheesy all-American "girl" pasted onto a cheesy all-American car."
From a review by Bidisha.
Labels: installation, photography, sculpture
Portrait by Sanders McNew. Tip: turn of CSS & Javascript to be spared the crappy browse interface (nice graceful degradation). Via
Labels: photography
ANT 2 (1961) by YVES KLEIN. From an auction. It's estimated at 1.5 million USD.
Unlike other works in the Anthropométries series in which Klein choreographed painted models to leave bodily imprints on paper, in ANT 2 Klein arranged the model, lying face-down on paper, and sprayed blue pigment around the body to create a negative impression.
Labels: painting
Salvador Dali, Memory of the Child-Woman, oil on canvas, with collage, 1931. © Salvador Dalí Museum, Inc. St. Petersburg Florida, (2008). Link.
Labels: painting
Update: this post lost us our Google Ads. Because of a painted vulva. And a complaining commenter probably. "As stated in our programme policies, AdSense publishers are not permitted to place Google ads on pages with adult or mature content." So Art Boobs is looking for a new sponsor.
"Darling! I Have so Many Times Told You Not to Take Photos of Me All the Time!" by Jaroslaw Kukowski, oil on board, 60x80 cm.
I''ll let fellow blogger Jahsonic defend this painting: "There are a 1001 reasons not to like Jarosław Kukowski , the first one probably that his art is kitsch. But so is Odd Nerdrum’s, John Currin’s, Hajime Sorayama’s and most other new figurative artists of the post-war era. There is only one reason not not to like Kukowski, and that is this Venus."
More desktop wallpaper sized paintings here.
Labels: contemporary, kitsch, male artist, painting, poland
Image: Sarah Chuldenko. Courtesy of Fake Estate. A provocative collision of buoyant breasts, carnivorous plants, topographic flesh, oil slicks, and roadside IED's, Chuldenko's sensational paintings simultaneously depict phoenix totems of creation and destruction, with a hint of irony.
Labels: painting
Wes Lang. Courtesy of ZieherSmith. Via.
Wes Lang dances through the bone-yard of America’s tattered narrative embracing both the darkness visible in gallows humor and the risky taunting of viewers in the face of their own taboos. Referencing the alternating pattern of American optimism and obliviousness, from the brash self-promotion and electric voice of Walt Whitman to the booze-fueled failure and heartbreak of Willie Nelson, Lang seeks the source of our duplicity by way of the traditions in our perversions and the pungent stink of our proudest moments. Expounding the violence inherent in our sexual, racial and cultural customs and all the passion of our literary, artistic and political legacies, Lang takes subject matter both canonical and vernacular at dead reckoning. In the end, he skirts political perils and pratfalls by exposing the contradictions in damning our distinctly American vision so steeped in assumptions of protection beyond the pale.
Labels: drawing
Jans Muskee | Midlife Highlights | To Live With Her, 2006 Oil Pastel On Paper 200 x 150 cm
This image is from the website of a gallery that represents the artist. Weirdly they advise that "no image on this page may be used on other websites".
Labels: painting
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